BOGOR, JABAR – Pembagian Nasi bungkus dan pakaian layak pakai untuk Warga Terdampak Banjir di Vila Nusa Indah Desa Bojong Kulur Kec Gunung Putri, Garnisun Bogor dan PPM Bersatu dalam membantu warga Desa Bojong Kulur baru-baru ini menghadapi cobaan berupa banjir yang melanda sebagian wilayahnya.
Dampak dari bencana alam tersebut dirasakan secara langsung oleh warga setempat, yang kebutuhan pokoknya menjadi terganggu akibat kerusakan yang ditimbulkan.
Dansubgar 0606/Bogor Letkol Inf Dwi Agung Prihanto, S.Sos.,M.Tr.(Han) melalui Kasubgar Mayor Inf Irwan Suwarna menyampaikan “Menyikapi situasi tersebut Garnisun Bogor dengan PPM bersatu dalam upaya membantu meringankan beban masyarakat yang terdampak banjir, “ungkapnya, pada hari Sabtu, tanggal 8 Maret 2025, Pukul 16:00 Wib.
Kita melaksanakan kegiatan pembagian nasi bungkus dan pakaian layak pakai digelar sebagai bentuk kepedulian terhadap masyarakat,
Warga yang membutuhkan terlihat antusias menyambut kedatangan bantuan tersebut.
Dalam momen penuh kebersamaan dan gotong royong, nasi bungkus dan pakaian layak pakai disalurkan kepada setiap keluarga yang membutuhkan dengan tertib dan adil”.tegasnya
Ketua PPM Kabupaten Bogor Agus Jagur beserta anggota Garnisun turun langsung ke lapangan bertatap muka dengan warga, serta memberikan semangat dan dukungan dalam menghadapi cobaan yang menimpa.
Kebersamaan yang tercipta dalam kegiatan ini tidak hanya terasa dari distribusi pakaian layak pakai dan nasi bungkus, tetapi juga dalam bentuk kehangatan dan saling peduli antar warga.
Setelah selesai, suasana gembira terpancar dari wajah-wajah warga Desa Bojong Kulur Kecamatan Gunung Putri, Mereka merasa terbantu dan diingatkan bahwa Mereka tidak sendirian dalam menghadapi musibah.
lebih lanjut Ketua PPM sampaikan pada awak media ini, bahwa “Semoga kegiatan ini dapat menjadi tonggak solidaritas dan kebersamaan dalam membangun kembali kesejahteraan di Desa Bojong Kulur Kecamatan Gunung Putri, “ujarnya.
Inilah contoh konkret bagaimana ketika Garnisun Bogor dan PPM bersatu dalam membantu sesama, sebuah tindakan sederhana namun memiliki dampak besar dalam mempererat tali persaudaraan dan kepedulian di tengah-tengah cobaan yang datang”. pungkasnya Jagur.
JAKARTA – Komandan Pasmar 1 (Danpasmar 1) Brigjen TNI (Mar) Umar Farouq, S.A.P., CHRMP., M.Tr.Opsla., M.Han., memimpin Apel Kesiapan Pengukuhan dan Pelantikan Panglima Korps Marinir, kegiatan ini dilaksanakan di Lapangan Apel Brigif 1 Kesatrian Marinir Hartono Cilandak, Jakarya Selatan, Rabu (05/03/2025).
Apel kesiapan ini berguna untuk melihat langsung kesiapan personel serta Alat Utama Sistem Senjata (Alutsista) yang dimiliki oleh Pasmar 1 untuk disiapkan pada pelaksanaan kegiatan Pengukuhan dan Pelantikan Panglima Korps Marinir.
Pada Apel tersebut terlihat seluruh material tempur Pasmar 1 tergelar mulai dari kendaraan tempur, kendaraan taktis, kendaraan dapur lapangan, kendaraan kesehatan, tenda serbaguna, alat komunikasi serta berbagai material perorangan dan Satuan lainnya.
Dalam arahannya pada kegiatan tersebut, Danpasmar 1 mengucapkan terima kasih kepada seluruh prajurit Pasmar 1 yang berada di wilayah Jakarta atas kesiapannya menggelar seluruh personel dan material pada kegiatan Apel gelar ini. Kita selalu siap kapanpun pelaksanaan kegiatan Pengukuhan dan Pelantikan Panglima Korps Marinir dilaksanakan. Oleh sebab itu maka persiapkan seluruh personel dan material dari sekarang agar kita tidak terdadak untuk melaksanakan kegiatan tersebut, pesan Danpasmar 1.
Hadir pada kegiatan tersebut Wadan Pasmar 1 Kolonel Marinir A.A. Gede Agung Jayaputra, S.E., CHRMP., para Asisten Danpasmar 1 serta para Komandan Kolak dan Satlak jajaran Pasmar 1.
Tangerang Selatan – Bulan suci ramadhan 1446 H pada bulan Maret 2025 menjadi sejarah catatan Kota Tangerang Selatan di Kantor DPRD Tangerang Selatan – Jl. Raya Serpong No.1, Setu, Kec. Setu, Kota Tangerang Selatan, Banten tetapnya pada Rabu sore, 05 Maret 2025 telah terlaksana acara ” Rapat Paripurna Penyampaian Pidato Wali Kota Tangerang Selatan Masa Jabatan Tahun 2025 – 2030.
Sore yang syahdu memadupadankan suasana kedatangan Gubernur Banten – Andra Soni diiringi Abdul Rasyid – Ketua DPRD Kota Tangerang Selatan serta Iwan Rahayu dari DPRD Provinsi Banten beserta jajaran mengiringi Benyamin Davnie – Pilar Saga Ichsan memasuki ruang rapat paripurna tepat pada pukul 17.00 WIB. Acara ini dihadiri oleh semua perwakilan muspida TNI, Polres, Kejaksaan Tinggi dan jajaran instansi pemerintah serta organisasi kemasyarakatan, media dari Kota Tangerang Selatan maupun provinsi Banten serta lainnya..
Rapat paripurna dipimpin langsung oleh Abdul Rasyid – Ketua DPRD Kota Tangerang Selatan dan mulai dibuka dengan menyanyikan lagu Kebangsaan Indonesia Raya dan dilanjut dengan lagu hymne Kota Tangerang Selatan serta pembacaan ayat suci Al Qur’an yang dibacakan oleh Abdul Mufari yaitu :
Surat Al Baqarah ayat 183 :
يٰٓاَيُّهَا الَّذِيْنَ اٰمَنُوْا كُتِبَ عَلَيْكُمُ الصِّيَامُ كَمَا كُتِبَ عَلَى الَّذِيْنَ مِنْ قَبْلِكُمْ لَعَلَّكُمْ تَتَّقُوْنَۙ ١٨٣
Arab-latin: Yâ ayyuhalladzîna âmanû kutiba ‘alaikumush-shiyâmu kamâ kutiba ‘alalladzîna ming qablikum la’allakum tattaqûn.
Artinya: Wahai orang-orang yang beriman, diwajibkan atas kamu berpuasa sebagaimana diwajibkan atas orang-orang sebelum kamu agar kamu bertakwa.
Yaa ayyuhal ladziina aamanuu athii’ullooha wa athii’ur rosulla wa ulil amri mingkum. Fa ing tanaaza’tum fii syai’in farudduuhu ilalloohi warosuuli ing kungtum tu’minuuna billaahi walyaumil aakhir. Dzaalika khoiruw wa ahsanu ta’wilaa
Artinya: “Hai orang-orang yang beriman, taatilah Allah dan taatilah Rasul (Nya), dan ulil amri di antara kamu. Kemudian jika kamu berlainan pendapat tentang sesuatu, maka kembalikanlah ia kepada Allah (Al Quran) dan Rasul (sunnahnya), jika kamu benar-benar beriman kepada Allah dan hari kemudian. Yang demikian itu lebih utama (bagimu) dan lebih baik akibatnya” .
Tiba saatnya acara puncak yaitu pidato Benyamin Davnie didampingi Pilar Saga Ichsan yang telah dilantik menjadi walikota dan wakil wali kota Tangerang Selatan masa jabatan tahun 2025 – 2030. Kemudian dilanjut dengan penandatanganan nota kesepakatan antara kepala daerah (walikota) dengan DPRD Kota Tangerang Selatan tentang visi dan misi kepala daerah tahun 2025 – 2039 untuk rencana pembangunan jangka menengah daerah ( RPJMD) tahun 2025 – 2029.
RPJMD merupakan dokumen perencanaan pembangunan daerah yang disusun untuk jangka waktu lima tahun. Dimana RPJMD berfungsi sebagai acuan dan panduan utama dalam pembangunan daerah. RPJMD juga memberikan arah kebijakan dan prioritas pembangunan untuk mewujudkan visi pembangunan daerah.
Kemudian acara rapat paripurna dilanjut dengan pidato sambutan dari Gubernur Provinsi Banten – Andra Soni dan acara berakhir dengan pembacaan do’a syukur oleh Ahmad Rifaudin dari Kantor Kementerian Agama Kota.
Hadir dalam acara rapat paripurna tersebut Ketua FKPPI Kota Tangerang Selatan Agus Asnawi beserta jajaran dan Ade Gunawan Humas DPP FWJI perwakilan dari organisasi Forum Wartawan Jaya Indonesia. Agus Asnawi dan jajaran FKPPI Tangerang Selatan menyampaikan rasa syukurnya atas nama organisasi FKPPI telah berkesempatan diundang dan dapat hadir dalam acara ini serta menekankan komitmen organisasi FKPPI Kota Tangerang Selatan akan terus mengawal program – program pemerintah daerah Kota Tangerang Selatan sesuai apa yang telah diamanatkan kepadanya dari organisasi FKPPI.
Catatan penting visi misi pemimpin daerah Wali Kota Tangerang Selatan – Benyamin Davnie dan Wakil Wali Kota – Pilar Saga Ichsan dalam prioritas program kerja yang tercantum dalam Nota Kesepakatan RPJMD tahun 2025 – 2029 menjadi skala prioritas yang harus kita kawal dalam pelaksanaan pembangunan untuk Kota Tangerang Selatan, ujar Ade Gunawan – Humas DPP FWJI.
Diakhir pertemuan Agus Asnawi dari FKPPI Kota Tangerang Selatan dan Ade Gunawan mewakili Forum Wartawan Jaya Indonesia bertemu dan mengucapkan selamat bertugas kepada Gubernur Banten – Andra Soni dan Wali Kota Tangerang Selatan – Benyamin Davnie serta Wakil Wali Kota – Pilar Saga Ichsan. Dan Gubernur Banten, Wali kota dan Wakil Wali Kota Tangerang Selatan mengucapkan terima kasih dan mohon sinergi kolaborasi nya dari FKPPI Tangerang Selatan dan Forum Wartawan Jaya Indonesia dan pertemuan pun berakhir.
Narasumber Pewarta: FWJI/ADGun. / Sumarno. Editor Red : Egha.
setyakitapancasila – Ketua Pemberdayaan Perempuan dan Anak Organisasi Setya Kita Pancasila (SKP), Gisella Anasthasia mengajak semua pihak untuk ikut berkontribusi dalam pembangunan bangsa demi terwujudnya cita-cita Indonesia Emas 2045.
“Kita harus menegakkan langkah dengan penuh komitmen untuk membawa harapan dan solusi nyata bagi bangsa ini, khususnya bagi perempuan dan anak-anak yang merupakan fondasi dari masa depan kita,” kata Gisella dalam keterangan tertulis, Kamis (6/3/2025).
Menurutnya, Indonesia memiliki potensi yang luar biasa, namum masih banyak tantangan yang belum terselesaikan terutama yang berkaitan persoalan perempuan dan anak-anak.
“Nyatanya ketimpangan gender, kekerasan domestik, kurangnya akses terhadap pendidikan yang layak, dan perlindungan terhadap hak-hak anak adalah isu yang tidak bisa kita abaikan,” ungkap Gisella.
Membangun Integritas Nasional untuk ‘Indonesia Terang, Indonesia Emas‘.
Untuk menyelesaikan berbagai persoalan tersebut, Setya Kita Pancasila menawarkan konsep “Indonesia Terang” dengan membangun integritas nasional sebagai benteng persatuan yang berlandaskan Pancasila.
Konsep ini juga bertujuan mendukung visi Indonesia Emas 2045.
“Melalui inisatif Indonesia Terang ini kita hadir untuk memastikan bahwa cahaya harapan menjangkau setiap sudut negeri, dengan ini integritas nasional perlu dibangun kuat, untuk dapat mendirikan pilar-pilar nasionalisme yang kokoh sebagai suatu sistem dasar keberadaban yang tinggi”.
setyakitapancasila– Selasa 4/03/2025, Banjir bandang yang melanda Desa bojong kulur Kabupaten Bogor, terjadi pada selasa dini hari mengakibatkan beberapa RT dan RW terdampak akibat banjir.
Kapolsek Gunung Putri AKP Aulia Robby Kartika Putra, S,I,K.,M.I.K Bersama Setya Kita Pancasila ( SKP ) Turun langsung memberikan beberapa bantuan kearea lokasi banjir di vila nusa indah 2.
Robby mengatakan ” kami selaku Kepala Kepolisian Sektor gunung putri, mengucapkan terimakasih, kepada ormas SKP yang telah peduli dan tanggap, terhadap keadaan yang telah terjadi sekarang ini .
Ketua Bidang Sosial Perempuan dan Anak pada Setya Kita Pancasila ( SKP ) Gisella Anasthasia S., S.S., M.H. menambahkan “ kami menyampaikan keprihatinan mendalam atas banjir yang melanda Jabodetabek. Tentu banyak telah menyebabkan kerugian yang signifikan, termasuk infrastruktur dan yang paling penting terganggunya aktifitas masyarakat.
Kami sangat menyoroti keadaan anak-anak dan para Ibu hamil serta menyusui, mereka sangat memerlukan tempat yang layak. Kami berharap pemerintah kabupaten bogor, dalam hal ini dinas pendidikan serta dinas sosial maupun dinas kesehatan agar segera tanggap dan cepat untuk mengatasi masalah ini, mengingat aspek pendidikan dan kesejahteraan tetap harus terus berlangsung serta kesehatan yang menjadi hal terpenting.” tambah Gisell.
“The scars of the flood remind us of nature’s force, yet they also reveal the unyielding strength of community and compassion.” Kami berdiri bersama dengan masyarakat memberikan dukungan yang tanpa batas.
Hasan Basri sebagai Ketua Bidang Ekonomi Setya Kita Pancasila ( SKP ) mengatakakan “ Untuk perekonomian disekitar daerah yang terdampak bencana agak sedikit terganggu banyak warung dan toko terpaksa tutup sehingga kebutuhan masyarakat di daerah sekitar agak sulit di dapat , mereka terpaksa membeli kebutuhkan di luar lokasi , Harapan kami Setia Kita Pancasila mengajak semua pihak untuk mengambil bagian meringankan saudara2 kita yang terdampak , semoga dengan uluran tangan kita , bisa meringankan beban mereka” ucapnya.
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Watching a Movie
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Cast
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art.
On the surface his work simply looks “cool,” but this shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Backstage Preparations
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Boot Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue?
The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Watching a Movie
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Cast
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art.
On the surface his work simply looks “cool,” but this shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Backstage Preparations
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Boot Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue?
The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Watching a Movie
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Cast
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art.
On the surface his work simply looks “cool,” but this shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Backstage Preparations
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Boot Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue?
The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Watching a Movie
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Cast
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art.
On the surface his work simply looks “cool,” but this shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Backstage Preparations
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Boot Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue?
The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Watching a Movie
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Cast
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art.
On the surface his work simply looks “cool,” but this shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Backstage Preparations
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Boot Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue?
The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
